Tuesday, April 19, 2011

A Catalog/Re-Catalog of the Vitra Design Museum Collection

In my search for an appropriate control group to catalog, I came across the Vitra Design Museum's Miniatures Collection. The Miniatures Collection represents 91 (out of nearly 600o pieces) of the museum's "most important classics of modern furniture history" in carefully crafted scale models of the original pieces that reside in the museum. You can read about the origins and holdings of the museum here or get more info on the Miniatures Collection here. One must wonder what led them to choose these pieces, and if other museums and authorities would concur. Which leads us back to the question of "what defines a classic?"....

The first grouping that I made was based on color...


Then I examined the shapes....


Then materials....



Then I started thinking about the idea of curatorial bias. I noticed that designers are repeatedly featured in this group of 91, so I separated out every designer that was featured more than once.


Then I started thinking in historical context. What was happening in the world when these chairs were being designed? This shows all the ones created during wars.

The possibilities for re-cataloging based on new variables are potentially endless. This is simply a small sampling of options, with a wide range of possible conclusions to be drawn.

Tuesday, April 12, 2011

Taiwanese ID-Hybrid Game

Pineapple cake and night market steak's offspring?!!!!! What would it be ?





catalog-catalog sheet

I'm working on a spreadsheet cataloging information both about changing forms of visual communications, and about specific types of catalogs.

Monday, April 11, 2011

The Illustrated History of Catalogs!

Nifty! Athough I was a bit disappointed to find that it wasn't quite as illustrated as I had hoped.

Tuesday, April 5, 2011

Taiwan Identity Update

Taiwan Identity Update- April 5th
Sketches-




Evolution of the Hybrid Game

For this round of the Hybrid Game, we looked at various methods of classification for our images. We began grouping the images by making general assumptions about the object's function or finding similar materiality of the objects.


We noticed that the groupings naturally bridged into each other in various ways. For example, starting with the bottom left, we grouped the images together because they were different forms of games. Moving toward the right were more forms of games with an emphasis on current technology trends. Moving upward from there were images of fashion, which also emphasizes current trends. Nearly all of our groupings had some sort of bridge that made one flow into the other.


To find a new way to look at our images, we applied a different classification system to them, grouping them this time by overall color similarities. These results may have been skewed, as some of the images were printed in black and white, though it was interesting to note that many of the black and white grouped images were also grouped together in the "classic icon" group of the last classification system.


Lastly we chose to rearrange the images by alphabetical order. For each image, we had to agree upon what the identifying characteristic was (in one word) in order to group by first letter of that word. This experiment revealed much about the hierarchy of importance in imagery, and how that can change without the affect of context.


This experiment showed us the depth of understanding that classification can bring to seemingly unrelated images. By changing the method of grouping, we were able to make new observations about the same images. Clearly classification can become an important tool for designers to examine their subjects in fresh ways.

Introductory Statement

Consideration of the word "classic" brings to mind several different associations. Something described as "classic" may have qualities that endure through time, or may be considered representative of a certain era, or even may be considered traditional or typical in contrast to others. It can be applied to classify design, art, literature, modes of communication, schools of thought, systems of accomplishing objectives, and more.Yet the passing of time yields change, and a variety of inputs barrage these original classic forms, forcing them to evolve. The newly adapted forms become hybrids, which contain elements of the initial form as well as new elements. Hybrids are often seen as "outrageous", as the offspring of the tame & the wild, in possession of both the familiar and unfamiliar. A useful tool for understanding the hybrids that exist around us is the catalogue. Sometimes taking the form of a list, a register, or other methods of classification, a catalogue offers a new way of understanding things that allows us to step back and examine various groupings and inputs related to a concept or object. So how then can we use various methods of cataloging to examine the present day hybrids around us?
What sort of new links and associations will we be able to find from these catalogues? How would these hybrid forms be different if other inputs had affected them? The following investigation may serve to better understand our past, define our present and speculate about our future.